Yours, for Probably Always

Yours, for Probably Always - Janet Somerville

Yours, for Probably Always

'A titan of American letters. It's high time for Gellhorn to emerge from the shadows of twentieth-century literature into the bright light of mainstream recognition.' The Washington Post Book World.

Before email, when long distance telephone calls were difficult and expensive, people wrote letters, often several each day. Today, those letters provide an intimate and revealing look at the lives and loves of the people who wrote them. When the author, Martha Gellhorn, is a brilliant writer who lived an exciting, eventful life, the letters are especially interesting.

Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and her life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due.

Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupery, Orson Welles, H.G. Wells: the people who made history in her time and beyond.

Yours, for Probably Always is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her time with Hemingway and General Gavin late in the war, and her many loves and affairs.

Gellhorn's fiction of the time sold well: The Trouble I've Seen (1936)-her Depression-Era stories based on the FERA activities, with an introduction by H.G. Wells; A Stricken Field (1940)-a novel inspired by the German-Jewish refugee crisis and set in 1938 Czechoslovakia; The Heart of Another (1941)-stories edited by Maxwell Perkins; and The Wine of Astonishment (1948), her novel about Dachau, the liberation of which she reported for Collier's.

Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of "the people who were the sufferers of history." Renewed interest in her life makes this new collection, packed with newly discovered letters and pictures, fascinating reading.
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'A titan of American letters. It's high time for Gellhorn to emerge from the shadows of twentieth-century literature into the bright light of mainstream recognition.' The Washington Post Book World.

Before email, when long distance telephone calls were difficult and expensive, people wrote letters, often several each day. Today, those letters provide an intimate and revealing look at the lives and loves of the people who wrote them. When the author, Martha Gellhorn, is a brilliant writer who lived an exciting, eventful life, the letters are especially interesting.

Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and her life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due.

Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupery, Orson Welles, H.G. Wells: the people who made history in her time and beyond.

Yours, for Probably Always is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her time with Hemingway and General Gavin late in the war, and her many loves and affairs.

Gellhorn's fiction of the time sold well: The Trouble I've Seen (1936)-her Depression-Era stories based on the FERA activities, with an introduction by H.G. Wells; A Stricken Field (1940)-a novel inspired by the German-Jewish refugee crisis and set in 1938 Czechoslovakia; The Heart of Another (1941)-stories edited by Maxwell Perkins; and The Wine of Astonishment (1948), her novel about Dachau, the liberation of which she reported for Collier's.

Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of "the people who were the sufferers of history." Renewed interest in her life makes this new collection, packed with newly discovered letters and pictures, fascinating reading.
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