Shakespeare Identified: in Edward de Vere the Seventeenth Earl of Oxford

Shakespeare Identified: in Edward de Vere the Seventeenth Earl of Oxford - J. Thomas Looney

Shakespeare Identified: in Edward de Vere the Seventeenth Earl of Oxford


"Shakespeare" Identified in Edward de Vere the Seventeenth Earl of Oxford The transference of the honour of writing the immortal Shakespeare dramas from one man to another, if definitely effected, becomes not merely a national or contemporary event, but a world event of permanent importance, destined to leave a mark as enduring as human literature and the human race itself. No one, therefore, who has a due sense of these things is likely to embark upon an enterprise of this kind in a spirit of levity or adventure; nor will he feel entitled to urge convictions tending to bring about so momentous a change as if he were merely proposing some interesting thesis. However much the writer of a work like the present might wish to keep himself In the background he is bound to implicate himself so deeply as to stake publicly his reputation for sane and sober judgment, and thus to imperil the credit of his opinion on every other subject. It would therefore have been more discreet or diplomatic to have put forward the present argument tentatively at first, as a possible or probable, rather than an actual solution of the Shakespeare problem. The temptation to do this was strong, but the weight of the evidence collected has proved much too great and conclusive to permit of this being done with even a fair measure of justice either to the case or to my own honest convictions. Only one course then was open to me. The greater responsibility had to be incurred; and therefore some remark upon the circumstances under which the investigations came to be undertaken is not only justifiable but necessary. Here, then, were the greatest literary treasures of England, ranked by universal consent amongst the highest literary achievements of mankind, to all intents and purposes of unknown origin. The immediate effect of such a conviction was the sense of a painful hiatus in the general out look upon the supreme accomplishments of humanity; a want much more distressing than that which is felt about the authorship of writings like the Homeric poems, because the matter touches us more directly and intimately. It was impossible, I felt, to leave things thus, if by any means the problem could be solved and the gap filled up. I re solved, therefore, notwithstanding the extreme boldness, or rather presumption, of the undertaking to attempt a solution of the problem. At the beginning it was mainly the fascination of an interesting enquiry that held me, and the matter was pursued in the sp
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"Shakespeare" Identified in Edward de Vere the Seventeenth Earl of Oxford The transference of the honour of writing the immortal Shakespeare dramas from one man to another, if definitely effected, becomes not merely a national or contemporary event, but a world event of permanent importance, destined to leave a mark as enduring as human literature and the human race itself. No one, therefore, who has a due sense of these things is likely to embark upon an enterprise of this kind in a spirit of levity or adventure; nor will he feel entitled to urge convictions tending to bring about so momentous a change as if he were merely proposing some interesting thesis. However much the writer of a work like the present might wish to keep himself In the background he is bound to implicate himself so deeply as to stake publicly his reputation for sane and sober judgment, and thus to imperil the credit of his opinion on every other subject. It would therefore have been more discreet or diplomatic to have put forward the present argument tentatively at first, as a possible or probable, rather than an actual solution of the Shakespeare problem. The temptation to do this was strong, but the weight of the evidence collected has proved much too great and conclusive to permit of this being done with even a fair measure of justice either to the case or to my own honest convictions. Only one course then was open to me. The greater responsibility had to be incurred; and therefore some remark upon the circumstances under which the investigations came to be undertaken is not only justifiable but necessary. Here, then, were the greatest literary treasures of England, ranked by universal consent amongst the highest literary achievements of mankind, to all intents and purposes of unknown origin. The immediate effect of such a conviction was the sense of a painful hiatus in the general out look upon the supreme accomplishments of humanity; a want much more distressing than that which is felt about the authorship of writings like the Homeric poems, because the matter touches us more directly and intimately. It was impossible, I felt, to leave things thus, if by any means the problem could be solved and the gap filled up. I re solved, therefore, notwithstanding the extreme boldness, or rather presumption, of the undertaking to attempt a solution of the problem. At the beginning it was mainly the fascination of an interesting enquiry that held me, and the matter was pursued in the sp
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