No One Round Here Reads Tolstoy: Memoirs of a Working-Class Reader

No One Round Here Reads Tolstoy: Memoirs of a Working-Class Reader - Mark Hodkinson

No One Round Here Reads Tolstoy: Memoirs of a Working-Class Reader


Mark Hodkinson grew up among dark satanic mills in a house with just one book: Folklore, Myths and Legends of Britain. His dad kept it on top of a wardrobe with other items of great worth - wedding photographs and Mark's National Cycling Proficiency certificate. If Mark wanted to read it, he was warned not to crease the pages or slam shut the covers.

Fast forward to today, and Mark still lives in Rochdale snugly ensconced (or is that buried?) in a 'book cave' surrounded by 3,500 titles - at the last count. He is an author, journalist and publisher.

So this is his story of growing up a working-class lad during the 1970s and 1980s. It's about schools (bad), music (good) and the people (some mad, a few sane), and pre-eminently and profoundly the books and authors (some bad, mostly good) that led the way, shaped a life. If only coincidentally, it relates how writing and reading has changed, as the Manor House novel gave way to the kitchen sink drama and working-class writers found the spotlight (if only briefly).

Mark also writes movingly about his troubled grandad who, much the same as books, taught him to wander, and wonder.

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Mark Hodkinson grew up among dark satanic mills in a house with just one book: Folklore, Myths and Legends of Britain. His dad kept it on top of a wardrobe with other items of great worth - wedding photographs and Mark's National Cycling Proficiency certificate. If Mark wanted to read it, he was warned not to crease the pages or slam shut the covers.

Fast forward to today, and Mark still lives in Rochdale snugly ensconced (or is that buried?) in a 'book cave' surrounded by 3,500 titles - at the last count. He is an author, journalist and publisher.

So this is his story of growing up a working-class lad during the 1970s and 1980s. It's about schools (bad), music (good) and the people (some mad, a few sane), and pre-eminently and profoundly the books and authors (some bad, mostly good) that led the way, shaped a life. If only coincidentally, it relates how writing and reading has changed, as the Manor House novel gave way to the kitchen sink drama and working-class writers found the spotlight (if only briefly).

Mark also writes movingly about his troubled grandad who, much the same as books, taught him to wander, and wonder.

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