La Guerra No Tiene Rostro de Mujer / The Unwomanly Face of War: An Oral History of Women in World War II
La Guerra No Tiene Rostro de Mujer / The Unwomanly Face of War: An Oral History of Women in World War II
«Gracias a Alexiévich, la historia de un millón de mujeres que participaron en el ejército soviético o como partisanas contra los alemanes es algo menos desconocida.
Felipe Sahagún, El Cultural de El Mundo «De la lectura de los libros de Alexiévich (Stanislaviv, 1948) no es posible salir indemne.
Gabriel Albiac, ABC Cultural ENGLISH DESCRIPTION A groundbreaking oral history of women in World War II across Europe and Russia--from the winner of the Nobel Prize in Literature NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Washington Post - The Guardian - NPR - The Economist - Milwaukee Journal Sentinel - Kirkus Reviews For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of "a new kind of literary genre," describing her work as "a history of emotions . . . a history of the soul." In The Unwomanly Face of War, Alexievich chronicles the experiences of the So
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«Gracias a Alexiévich, la historia de un millón de mujeres que participaron en el ejército soviético o como partisanas contra los alemanes es algo menos desconocida.
Felipe Sahagún, El Cultural de El Mundo «De la lectura de los libros de Alexiévich (Stanislaviv, 1948) no es posible salir indemne.
Gabriel Albiac, ABC Cultural ENGLISH DESCRIPTION A groundbreaking oral history of women in World War II across Europe and Russia--from the winner of the Nobel Prize in Literature NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Washington Post - The Guardian - NPR - The Economist - Milwaukee Journal Sentinel - Kirkus Reviews For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of "a new kind of literary genre," describing her work as "a history of emotions . . . a history of the soul." In The Unwomanly Face of War, Alexievich chronicles the experiences of the So
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