Internet, Humor, and Nation in Latin America
 
						Internet, Humor, and Nation in Latin America
How online humor influences politics and culture in Latin America
This
 volume is the first to provide a comprehensive Latin American 
perspective on the role of humor in the Spanish- and Portuguese-language
 Internet, highlighting how the production and circulation of online 
humor influence the region's relation to democracy and civil society and
 the production of meaning in everyday life. 
Several case
 studies consider memes, including discussions of political cartoons in 
Mexico and imagery that portrays the mismanagement of natural disasters 
in Puerto Rico. Essays on Brazil examine how memes are shared on 
WhatsApp by Jair Bolsonaro supporters and how the Instagram account 
Barbie Fascionista offers memes as political commentary. Other case 
studies consider video content, including the sketches of Argentinian 
comedian Guillermo Aquino, the short-form material of Chilean vlogger 
Germán Garmendia, and a satirical YouTube column created by journalists 
in Colombia. Contributors also offer new methodologies for studying the 
laughable on social media, including a model for analyzing fake Twitter 
accounts. 
Internet, Humor, and Nation in Latin America
 demonstrates that Internet humor can generate novel means of public 
interaction with the political and cultural spheres and create greater 
expectations of governmental accountability and democratic 
participation. This volume shows the importance of paying serious 
attention to humorous digital content as part of contemporary culture. 
 
Contributors: 
 Eva Paulina Bueno Juan Poblete Alberto Centeno-Pulido Damián 
Fraticelli Juan Carlos Rodríguez Viktor Chagas Paul Alonso 
Ulisses Sawczuk da Silva Héctor Fernández L'Hoeste Alejandra Nallely
 Collado Campos R. Sánchez-Rivera Mélodine Sommier Fábio Marques 
de Souza
A volume in the series Reframing Media, 
Technology, and Culture in Latin/o America, edited by Héctor Fernández 
L'Hoeste and Juan Carlos Rodríguez 
Publication of this 
work made possible by a Sustaining the Humanities through the American 
Rescue Plan grant from the National Endowment for the Humanities.
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How online humor influences politics and culture in Latin America
This
 volume is the first to provide a comprehensive Latin American 
perspective on the role of humor in the Spanish- and Portuguese-language
 Internet, highlighting how the production and circulation of online 
humor influence the region's relation to democracy and civil society and
 the production of meaning in everyday life. 
Several case
 studies consider memes, including discussions of political cartoons in 
Mexico and imagery that portrays the mismanagement of natural disasters 
in Puerto Rico. Essays on Brazil examine how memes are shared on 
WhatsApp by Jair Bolsonaro supporters and how the Instagram account 
Barbie Fascionista offers memes as political commentary. Other case 
studies consider video content, including the sketches of Argentinian 
comedian Guillermo Aquino, the short-form material of Chilean vlogger 
Germán Garmendia, and a satirical YouTube column created by journalists 
in Colombia. Contributors also offer new methodologies for studying the 
laughable on social media, including a model for analyzing fake Twitter 
accounts. 
Internet, Humor, and Nation in Latin America
 demonstrates that Internet humor can generate novel means of public 
interaction with the political and cultural spheres and create greater 
expectations of governmental accountability and democratic 
participation. This volume shows the importance of paying serious 
attention to humorous digital content as part of contemporary culture. 
 
Contributors: 
 Eva Paulina Bueno Juan Poblete Alberto Centeno-Pulido Damián 
Fraticelli Juan Carlos Rodríguez Viktor Chagas Paul Alonso 
Ulisses Sawczuk da Silva Héctor Fernández L'Hoeste Alejandra Nallely
 Collado Campos R. Sánchez-Rivera Mélodine Sommier Fábio Marques 
de Souza
A volume in the series Reframing Media, 
Technology, and Culture in Latin/o America, edited by Héctor Fernández 
L'Hoeste and Juan Carlos Rodríguez 
Publication of this 
work made possible by a Sustaining the Humanities through the American 
Rescue Plan grant from the National Endowment for the Humanities.
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