Fun
Fun
In December 1913, the New York World newspaper published the first crossword in history. It appeared in their Sunday supplement, "Fun." A century later, this absorbing puzzle continues to attract (and infuriate) millions of devotees every day. But the world's most popular-and seemingly mundane-pastime has a surprising history, filled with intrigue and adventure.
Paolo Bacilieri's FUN transports us from turn-of-the-century New York to present-day Milan, taking in stories of ingenious puzzle makers, ardent solvers, and intellectual luminaries. Part detective story, part docudrama, and interlaced with a fiction of Bacilieri's own imagining, FUN questions the crossword's "harmless" status. Sure, it's fun-but could it also be a form of resistance, of cryptic communication, of espionage?
Paolo Bacilieri's FUN transports us from turn-of-the-century New York to present-day Milan, taking in stories of ingenious puzzle makers, ardent solvers, and intellectual luminaries. Part detective story, part docudrama, and interlaced with a fiction of Bacilieri's own imagining, FUN questions the crossword's "harmless" status. Sure, it's fun-but could it also be a form of resistance, of cryptic communication, of espionage?
Descrierea produsului
In December 1913, the New York World newspaper published the first crossword in history. It appeared in their Sunday supplement, "Fun." A century later, this absorbing puzzle continues to attract (and infuriate) millions of devotees every day. But the world's most popular-and seemingly mundane-pastime has a surprising history, filled with intrigue and adventure.
Paolo Bacilieri's FUN transports us from turn-of-the-century New York to present-day Milan, taking in stories of ingenious puzzle makers, ardent solvers, and intellectual luminaries. Part detective story, part docudrama, and interlaced with a fiction of Bacilieri's own imagining, FUN questions the crossword's "harmless" status. Sure, it's fun-but could it also be a form of resistance, of cryptic communication, of espionage?
Paolo Bacilieri's FUN transports us from turn-of-the-century New York to present-day Milan, taking in stories of ingenious puzzle makers, ardent solvers, and intellectual luminaries. Part detective story, part docudrama, and interlaced with a fiction of Bacilieri's own imagining, FUN questions the crossword's "harmless" status. Sure, it's fun-but could it also be a form of resistance, of cryptic communication, of espionage?
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