Four-Hand Piano Music by Nineteenth-Century Masters
Four-Hand Piano Music by Nineteenth-Century Masters
This volume contains a selection of delightful and enduring four-hand pieces very rarely anthologized and very difficult to find elsewhere. Chosen from the works of the great nineteenth-century masters, the compositions below will enhance your understanding and appreciation of an extremely enjoyable musical format.
Beethoven: Song, "Ich denke dein," with Six Variations
Bizet: Jeux d' enfants
Debussy: Petite Suite
Dvořák: Slavonic Dance No. 5 (Op. 45); Legend No. 6 (Op. 59); Silent Woods (From the Bohemian Forest), Op. 68, No. 5
Fauré Dolly, Op. 56
Mendelssohn: Andante and Variations, Op. 83a
Schubert: Divertissement à la hongroise, Op. 54
Schumann: Bilder aus Osten, Op. 66; Am Springbrunnen, Op. 85, No. 9; Abendlied, Op. 85, No. 12
This volume has been specially designed as a playing edition. The noteheads are large and easily readable at the piano, and wide margins allow plenty of room for written notes, fingerings, analysis, etc. To keep the score uncluttered, no editorial suggestions of fingerings have been added to these standard texts, but measure numbers have been added for convenience.
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This volume contains a selection of delightful and enduring four-hand pieces very rarely anthologized and very difficult to find elsewhere. Chosen from the works of the great nineteenth-century masters, the compositions below will enhance your understanding and appreciation of an extremely enjoyable musical format.
Beethoven: Song, "Ich denke dein," with Six Variations
Bizet: Jeux d' enfants
Debussy: Petite Suite
Dvořák: Slavonic Dance No. 5 (Op. 45); Legend No. 6 (Op. 59); Silent Woods (From the Bohemian Forest), Op. 68, No. 5
Fauré Dolly, Op. 56
Mendelssohn: Andante and Variations, Op. 83a
Schubert: Divertissement à la hongroise, Op. 54
Schumann: Bilder aus Osten, Op. 66; Am Springbrunnen, Op. 85, No. 9; Abendlied, Op. 85, No. 12
This volume has been specially designed as a playing edition. The noteheads are large and easily readable at the piano, and wide margins allow plenty of room for written notes, fingerings, analysis, etc. To keep the score uncluttered, no editorial suggestions of fingerings have been added to these standard texts, but measure numbers have been added for convenience.
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