Pagan Portals

Pagan Portals - What is Modern Witchcraft?

Pagan Portals

It has been observed that the traditions, philosophies and beliefs that enjoy historical longevity are not those that remain static and unchanging, but rather those that evolve and adapt to meet the needs of different or changing societies. And that truth, of course, can be extended to religions and spiritualities that by necessity must remain relevant to peoples' lives or become intellectual museum pieces. With topics ranging from CyberWitches to Activism, from Web Weaving to Urban Witchcraft, from the Arts to Kitchen and Solitary Witchcraft and more, What is Modern Witchcraft? considers contemporary developments in the ancient craft and discusses a number of questions and issues that are frequently raised today. What is Modern Witchcraft? is edited by Trevor Greenfield and features essays from Morgan Daimler, Annette George, Irisanya Moon, Rebecca Beattie, Philipp J. Kessler, Amie Ravenson, Rachel Patterson, Melusine Draco, Dorothy Abrams, Arietta Bryant and Mabh Savage.
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It has been observed that the traditions, philosophies and beliefs that enjoy historical longevity are not those that remain static and unchanging, but rather those that evolve and adapt to meet the needs of different or changing societies. And that truth, of course, can be extended to religions and spiritualities that by necessity must remain relevant to peoples' lives or become intellectual museum pieces. With topics ranging from CyberWitches to Activism, from Web Weaving to Urban Witchcraft, from the Arts to Kitchen and Solitary Witchcraft and more, What is Modern Witchcraft? considers contemporary developments in the ancient craft and discusses a number of questions and issues that are frequently raised today. What is Modern Witchcraft? is edited by Trevor Greenfield and features essays from Morgan Daimler, Annette George, Irisanya Moon, Rebecca Beattie, Philipp J. Kessler, Amie Ravenson, Rachel Patterson, Melusine Draco, Dorothy Abrams, Arietta Bryant and Mabh Savage.
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