A captivating portrait of Lorraine Hansberry's life, art, and political activism--one of O Magazine's best books of April 2021 "Hits the mark as a fresh and timely portrait of an influential playwright."--Publishers Weekly In this biography of Lorraine Hansberry (1930-1965), the author of A Raisin in the Sun, Soyica Diggs Colbert considers the playwright's life at the intersection of art and politics, with the theater operating as a "rehearsal room for her] political and intellectual work." Colbert argues that the success of Raisin overshadows Hansberry's other contributions, including the writer's innovative journalism and lesser known plays touching on controversial issues such as slavery, interracial communities, and black freedom movements. Colbert also details Hansberry's unique involvement in the black freedom struggles during the Cold War and the early civil rights movement, in order to paint a full portrait of her life and impact. Drawing from Hansberry's papers, speeches, and interviews, this book presents its subject as both a playwright and a political activist. It also reveals a new perspective on the roles of black women in mid-twentieth-century political movements.
A "loving, lavishly detailed" (New York Times) and captivating portrait of Lorraine Hansberry's life, art, and political activism--one of O Magazine's best books of April 2021 "Hits the mark as a fresh and timely portrait of an influential playwright."--Publishers Weekly In this first scholarly biography of Lorraine Hansberry, Soyica Diggs Colbert narrates a life at the intersection of art and politics, arguing that for Hansberry the theater operated as a rehearsal room for her political and intellectual work. Celebrated for her play A Raisin in the Sun, Hansberry was also the author of innovative journalism and of plays touching on slavery, interracial communities, and Black freedom movements. Hansberry was deeply involved in the Black freedom struggle during the Cold War and in the early civil rights movement, and here Colbert shows us an artist's life with the background of the Greenwich Village art scene in the 1960s, the homophile movement, Black diasporic freedom movements, and third-wave feminism. Drawing from Hansberry's papers, speeches, and interviews, this book provides a new point of entry in the history of Black radicalism, and a new perspective on Black women in mid-twentieth-century political movements.
A "loving, lavishly detailed" (New York Times)